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16 Tracks, 1 Hour 20 Moments
EDITORS' Information
This collection perfectly records the experimentation and advancement of the Canadian prog-rock legends. In 1974, “Working Man” echoed Directed Zeppelin't overdriven flute and thundering drums, but just a 12 months later “Fly By Night” melded power-pop jangle with hard-rock soloing. Geddy Lee's high-flying vocals and Neil Peart'beds whirling drum fills and fantastical lyrics came to the fore on “2112 Overture/The Wats or temples of Syrinx.” Then Hurry triumphantly accepted synths and New Influx with “Tom Sawyer” and “New Entire world Guy.”
EDITORS' Records
This selection perfectly conveys the experimentation and development of the Canadian prog-rock tales. In 1974, “Working Man” echoed Directed Zeppelin'beds overdriven flute and thundering percussion, but simply a year later “Fly By Night” melded power-pop jangle with hard-rock soloing. Geddy Lee's high-flying vocals and Neil Peart's whirling drum floods and fantastical lyrics emerged to the fore on “2112 Overture/The Wats or temples of Syrinx.” After that Hurry triumphantly accepted synths and New Influx with “Ben Sawyer” and “New Entire world Man.”
Name | Period |
---|---|
2112 Overture / The Temples of Syrinx (Stories Version) |
- 16 Music, 1 Hour 20 A few minutes
- Launched:February 11, 2003
- This Compilation ℗ 2013 The Isle Def Quickly pull Music Group
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Although an actual description does not can be found as to what tunes can comprise a greatest-hits collection, it is certainly generally thought that the disk will include the greatest and best-charting singles that have been released by an musician. So it may seem unusual for Rush to release a greatest-hits selection when the team has got simply one Top 40 take singles' strike in their long career; but if you factor in the quantity of rock radio airplay given to these music, after that The Heart of Stereo contains, in essence, the greatest hits of Rush. Comprising their 13-yr association with the Mercury tag, The Spirit of Radio stations consists of 16 of Rush's best-known tracks that possess been floating around the rock radio airwaves for yrs. Organized chronologically from 1974's i9000 Zeppelin-esque 'Working Man,' to 1987's majestic 'Period Stand Still,' this concise, single-disc selection represents Hurry during their most productive period. Previous efforts by Mercury to sum it up Rush's profession have lead in a set of sprawling double-disc collections (1991's i9000 Chronicles, and 1997'h two-volume Retrospective) that offered too much material for the casual enthusiast. The Nature of Radio trims the excessive unwanted fat and offers a toned place of music that showcase all the best components of Rush: guitar-driven stone ('Soar by Night'), arena rock and roll anthems ('The Spirit of Radio stations'), social commentaries ('The Trees'), epic sci-fi activities ('2112 Overture/The Wats or temples of Syrinx'), and bold synth tests ('Subdivisions'). Along with what is definitely perhaps their most enduring classic monitor, 'Ben Sawyer,' and their biggest pop strike, 'New World Guy,' the tracks on this compilation have turn out to be radio staples that keep on to garner airplay decades after their preliminary discharge. In that respect, The Spirit of Radio even more than qualifies as a greatest-hits deal, and offers an exceptional review of one of rock's almost all prosperous and revolutionary artists.
Name/Composer | Performer | Time | Stream |
---|---|---|---|
1 | 07:11 | ||
2 | Geddy Lee / Neil Peart | 03:22 | |
3 | 06:45 | ||
4 | Geddy Lee / Alex Lifeson / Neil Peart / Bob Michael Talbot | 02:53 | |
5 | 04:42 | ||
6 | Geddy Lee / Alex Lifeson / Neil Peart | 04:57 | |
7 | 05:23 | ||
8 | Geddy Lee / Alex Lifeson / Neil Peart | 04:20 | |
9 | Pye Dubois / Geddy Lee / Alex Lifeson / Neil Peart | 04:33 | |
10 | 06:10 | ||
11 | Geddy Lee / Alex Lifeson / Neil Peart | 03:43 | |
12 | 05:34 | ||
13 | Geddy Lee / Alex Lifeson / Neil Peart | 04:58 | |
14 | 05:35 | ||
15 | Pye Dubois / Geddy Lee / Alex Lifeson / Neil Peart | 04:32 | |
16 | Pye Dubois / Geddy Lee / Alex Lifeson / Neil Peart | 05:09 |